Apr 24, 2025

Ultraboss: Shredding the Synthwave Rulebook with Every Guitar Solo

Ultraboss: Shredding the Synthwave Rulebook with Every Guitar Solo

Let’s be honest—when most people think of synthwave, they picture neon sunsets, sleek DeLoreans, and maybe a dude with slicked-back hair brooding under a pink streetlight. It’s a genre bathed in nostalgia, dripping with 80s aesthetics, and known for its smooth, dreamy soundscapes. But then… Ultraboss shows up.

Yeah, Ultraboss doesn’t walk into the synthwave scene—he kicks the door down, guitar in hand, hair probably blowing in the wind machine. While other producers might lean heavily on synth pads and drum machines, Ultraboss grabs a six-string and melts faces. And no, we're not talking metaphorically. We're pretty sure there are a few synthwave fans walking around with singed eyebrows thanks to one too many Ultraboss solos.

So who is this genre-defying, string-shredding enigma?

Well, let’s dive in.

Who Is Ultraboss?

Ultraboss is the musical project of a dude named Roland, and no, that’s not a clever nod to the classic drum machine brand (though that would’ve been kind of genius, honestly). Roland hails from Austria—home of Mozart, schnitzel, and now... searing synthwave guitar solos.

He burst onto the scene with a mission: to bring the guitar back into the genre in a big way. While other synthwave artists sample vintage VHS tapes or go full Blade Runner vibes, Ultraboss said, “You know what this genre needs? A solo so good it makes your dad’s mustache twitch.”

And that’s exactly what he delivered.

The Sound: Synthwave Meets Shredwave

It’s not often that you find a synthwave track that makes you want to throw horns in the air and air-guitar your way into a wind tunnel. But Ultraboss somehow makes that not only possible but kind of inevitable.

You get those lush synth textures
Pulsing retro-futuristic beats
And then—bam!—out of nowhere, a face-melting guitar solo that could’ve been plucked straight from a '78 Van Halen concert

It’s like Top Gun and Metalocalypse had a baby, and it was raised on laser grids and neon lights.

What’s especially cool is that he doesn’t just throw in solos for the sake of it. They fit. They elevate the track. Instead of being a gimmick, the guitar becomes the main voice of the music, often replacing where vocals might traditionally sit. It’s expressive, melodic, and more often than not, it absolutely shreds.

Albums You Need in Your Life (Like, Yesterday)

If you’re new to Ultraboss, you’ve got some catching up to do. But don’t worry—we’ve got your listening guide right here.

Start with “Only in My Dreams”—this album is like a greatest hits of things you didn’t know you needed. It’s drenched in 80s vibes but with an undeniable modern flair. The solos on this one? Let’s just say, if you're wearing a wig, secure it.

Then move on to “Slave to the Passion”—a title that’s either about being hopelessly addicted to guitar solos or being unable to leave the mall without at least one Newretro.Net leather jacket. (Honestly, same.)

Every track feels cinematic, almost like it belongs in some forgotten 80s action movie soundtrack—but the kind that would’ve swept the Oscars and had a killer toy line.

Collaborations That’ll Blow Your Mind (and Speakers)

Ultraboss doesn’t just keep his talents to himself—he's collaborated with a who's who of the synthwave world. From artists like Vincenzo Salvia to synth-funk wizards like Yatte, he’s brought his signature style to tracks that range from smooth and funky to straight-up laser battle energy.

But the coolest part?

He’s managed to carve out a distinct voice. You always know when it's an Ultraboss track. The tone, the attitude, the unapologetic love for high-octane guitar—it’s unmistakable.

Imagine if Steve Vai took a time machine to 2085 and joined a synthwave supergroup. That’s the Ultraboss effect.

Fashion Fit for a Shred King

Speaking of attitude—have you seen the guy’s aesthetic?

Ultraboss is what happens when your Guitar Hero character comes to life and decides to start a retro-futuristic rebellion. We're talking leather jackets, mirrored shades, hair that probably smells like ozone and rebellion.

Which, by the way, makes this the perfect time for a quick shoutout to Newretro.Net—if you’re vibing with the Ultraboss look, this is your go-to. Think retro denim, leather jackets that scream “I own a flying motorcycle,” and sunglasses that look like they were pulled straight from the dashboard of a spaceship. You don’t just listen to synthwave—you wear it.

And honestly, if you're about to queue up an Ultraboss album, you might as well look the part. It’s the kind of music that deserves an outfit.

Why He Stands Out

There’s a lot of great synthwave out there, no doubt. But Ultraboss is something different.

He brings raw humanity back into a genre that’s sometimes accused of being a little too... robotic. His music reminds you that yes, it’s okay to plug in the synths and let the drum machine do its thing—but it’s also okay to rip a solo that makes someone in the next room scream, “WHO DID THAT?”

That’s power.

That’s passion.

That’s Ultraboss.

From Bedroom Producer to Retro Icon

So how does someone go from casually making tracks in their bedroom to becoming a go-to name in guitar-driven synthwave?

In Ultraboss’s case, it was a blend of consistency, talent, and an unwavering love for both vintage sounds and modern shredding. He didn’t just show up one day with a guitar solo and a dream—he put in the hours, crafting his style across multiple projects, slowly refining a sound that’s now unmistakably his.

While the synthwave scene has exploded in recent years, few artists have found such a unique lane. And Ultraboss didn’t just find a lane—he repaved the whole road, added neon underglow, and drifted into the genre like a muscle car on an outrun track.

Influences That Hit Hard (and Fast)

Ultraboss isn’t shy about his influences—and honestly, it shows in the best possible way.

80s rock legends like Steve Vai, Joe Satriani, and Eddie Van Halen clearly shaped his approach to the guitar. You can hear it in every note he bends and every solo that makes your jaw hit the floor.
But it’s not just about guitar heroes. He also channels the aesthetic and emotion of vintage synth acts and classic movie scores—think Jan Hammer, Harold Faltermeyer, and everything that made your favorite 80s movie sound like the 80s.

What makes his work so cool is how seamlessly he blends those two worlds. It's not retro for the sake of nostalgia—it’s retro plus vision. A kind of time-traveling soundtrack where the past meets the future, and the present gets blasted with a laser beam of awesome.

Shredding Live: Ultraboss on Stage

One thing fans always wonder is: Can Ultraboss bring this energy live?

Short answer? Absolutely. Longer answer? He doesn’t just play live shows—he commands them.

When Ultraboss hits the stage, it's a spectacle. Lasers, smoke machines, guitar solos that could start small fires... It's part concert, part cinematic experience. One moment you’re vibing to an atmospheric intro, and the next, he’s mid-solo while your eyebrows start curling from the heat.

If you ever get a chance to catch one of his shows—don’t walk. Run. Slide across the hood of a car if you have to. Just get there.

Fans of the Future (Wearing Jackets from the Past)

One of the coolest things about Ultraboss is the kind of crowd he attracts. It’s not just synthwave purists or guitar nerds (though hey, we love you guys too)—his fanbase is a blend of:

80s movie lovers
Guitar enthusiasts
Gamers and cyberpunk stans
And yes, folks who probably have at least one Newretro.Net jacket hanging by the door

The music creates a vibe that makes you want to live inside it. And let’s be real—you can’t listen to a track like “Dream Driver” or “Shred Or Die” without picturing yourself racing through a neon-lit city, synths blasting and wind in your hair.

So if you’re dressing the part—whether it's a worn-in denim jacket, slick leather, or a pair of retro sneakers that look ready for a hoverboard—Ultraboss is the soundtrack to your style.

The Future Looks Neon

The best part? Ultraboss is still evolving. He’s not the type to sit still musically, which means every new release comes with that extra jolt of excitement.

You never know if the next album will lean heavier into rock, funk, or straight-up outrun anthems—but you do know it’ll come with solos sharp enough to cut through titanium.

Rumor has it he’s got some new collaborations in the works, potentially exploring darker themes with cyberpunk textures or going full retro-funk with wah pedals and groove. And knowing Ultraboss? He’ll pull it off without breaking a sweat—or maybe just enough sweat to look cool in a promo photo.

Why Ultraboss Matters

There’s a lot of noise out there in the music world. Genres rise and fall, trends fade, and algorithms spit out whatever they think you’ll stream next.

But Ultraboss?

He matters because he’s doing something different. Something loud. Something heartfelt.

He’s not just riding the synthwave wave—he’s surfing it on a custom-built neon guitar, throwing sparks with every chord and taking the whole genre somewhere new.

And honestly, isn’t that what it’s all about? Pushing boundaries. Making noise. Shredding expectations.

So the next time you're scrolling your playlist, wondering what could possibly make your drive/home workout/laundry folding feel a little more like an 80s action montage—throw on some Ultraboss.

And hey, while you’re at it, maybe slip into a Newretro.Net leather jacket. Because if you're going to shred through life, you might as well look the part.

Stay neon, stay loud, and keep those solos coming. Ultraboss isn’t just a sound—he’s a movement.